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It’s that time of the year.
Half-Witch is my only publication this year, but one I’m very happy with. I believe it is eligible for the Nebula, Hugo, Andre Norton, World Fantasy, British Fantasy, Mythopoeic, and Shirley Jackson awards, at least. My Campbell eligibility has long since expired. Half-Witch is being marketed as Middle Grade, but seems to have been read widely by adults, and might qualify in either YA or Adult novel categories
Kirkus starred review: “Readers who appreciate powerful female friendships and sui generis whimsy will cherish it.”
Amal El-Mohtar, The Best New Fantasy Novels, in the New York Times: “Half-Witch is a marvel of storytelling, balancing humor, terror and grace. Lizbet… and Strix are a perfect double act, and the shape and texture of the friendship they build is a joy to discover.”
NPR’s Best Books of 2018: “A marvelous blend of whimsy, terror and deep feeling.”
Colleen Mondor in Locus: “There is something deeply satisfying about a traditional fantasy with plucky protagonists, nefarious villains, hungry goblins, tricky witches, and a dangerous and difficult quest… Everything you expect to find is present, plus a lot of unlikely twists and turns that make this adventure a classic read.”
A Junior Library Guild Selection.
I am absolutely delighted to announced that NPR has named Half-Witch as one of its Best Books of 2018! This has been a great year for my little debut novel, and this is a fabulous way to end it.
Glowing review of Half-Witch in the Times, by Amal El-Mohtar, herself a fine SFF writer.
“Half-Witch” is a marvel of storytelling, balancing humor, terror and grace. Lizbet is so earnestly good, in a way that I think has fallen out of fashion but that I loved reading. She and Strix are a perfect double act, and the shape and texture of the friendship they build is a joy to discover.
Amazing review. I couldn’t hope for better. Read the full review all here.
By the way, at the top of the review is C.L. Polk’s Witchmark, which has received lots of praise this year. Chelsea is an old acquaintance from the OWW writing workshop, and I’m delighted to see her debut novel having fantastic success.
The August issue of Locus, just out, has a very positive review of HALF-WITCH, by Colleen Mondor. It’s behind a paywall (unless you subscribe to the on-line version of Locus), but here’s a sample:
“There is something deeply satisfying about a traditional fantasy with plucky protagonists, nefarious villains, hungry goblins, tricky witches, and a dangerous and difficult quest. In John Schoffstall’s Half-Witch, everything you expect to find is present, plus a lot of unlikely twists and turns that make this adventure a classic read… Lisbet and Strix become the very definition of plucky, and it is hard not cheer them on.”
Bless my sainted parents in Heaven.
Lead the human race to world peace, an end to hunger, and brotherhood between all faiths and nations.
Please let the Westboro Baptist Church picket my book-signing today.
My debut novel, Half-Witch, is published today by Big Mouth House, an imprint of Small Beer Press.
Lizbet Lenz, fifteen years old, lives in a Europe that lost its way on the road to modernity. The sun still goes around the earth. Goblins lurk in cellars and witches conspire in the forests. The war between God and Satan is going badly for the home team. Lizbet has spent a lonely and friendless childhood fleeing from one town to another with her father Gerhard, a charming swindler never more than a step ahead of the law. When Gerhard is jailed for his crimes, only Lizbet can free him.
In the company of Strix, a clever, worldly, and sarcastic witch girl who is Lizbet’s opposite in every way, Lizbet undertakes a perilous journey over mountains that encircle the world. And that’s just the start of her troubles!
Half-Witch is being marketed as middle-grade, but it should be accessible to readers of all ages.
I hope you enjoy Half-Witch!
Lovely review of HALF-WITCH, from Megan Szmyd of @OFirehouseBooks, Old Firehouse Books in Fort Collins CO:
Half-Witch gave me the same atmospheric shivers that ‘The Bear and the Nightingale’ gave me; it’s got that same fairy-tale quality that makes every word seem a little bit like it’s shrouded in fog, like you are discovering the book as you are reading it. And it has that same weird blend of folk-lore and Christianity that makes for a wild and excellent contrast of ideas and themes and makes me want to just dig in and discuss this book. It’s a slightly creepy, unsettling, atmospheric, beautiful story about friendship and love and the journey it takes to get to those emotions, the trials humans face and the ways they change when faced with growing up and losing their ways. It’s about Loss. It’s about Finding. It’s about Being Made New. And while I don’t know if I really liked this book, I absolutely enjoyed it. (Also the cover is gorgeous. That’s important to note.)
I recently learned from friend and fellow-SFF writer Trent Hergenrader that there is a tabletop RPG (The Warren) that sounds like Richard Adams’ Watership Down with the horror elements amped up. Watership Down is mostly a romance of adventure, danger, flight, with some mystical/wonder stuff. But there is horror, too.
[Spoilers follow] In one section of the novel the main rabbit cast meets a colony of rabbits who are living in the wild but being maintained by a farmer who puts out food for them and protects them from predators. He also sets traps now and then when he wants a meal of rabbit. The rabbits are aware of this, in some rabbity way. They know they lead a charmed life, but at the cost of a rabbit disappearing now and then. They are living a horror story. Instead of fighting or fleeing, however, they have developed a gothy culture that romanticizes death. (Aside: it is this sort of insight and leap of imagination that makes Watership Down a great novel rather than merely a good one. Adams has, in James Blish’s famous phrase, not just ideas, but ideas about his ideas.) The main cast, when they understand the situation, are disgusted and horrified. Adams appears to feel the same way, that the gothy rabbit culture is decadent, even degenerate. Not proper rabbits.
It occurs to me that the current kerfuffle over the use of users’ on-line data and our trail of digital footprints across the web has the same moral flavor. We are the gothy rabbits. We have been given a glittery on-line playground of entertaining toys, all for free. But there is a cost. Every mouse click, every keystroke is recorded, analyzed, sold for billions and billions of dollars in the aggregate, and then used to gin up advertisements that exploit, with varying success, the interests we have inadvertently revealed. That dig into our souls to discover what we covet, what we love, what we hate, what we fear, and then use it to sell us stuff.
To be fair, viewing an ad for a 100-pack of Harley-Davidson plastic oil pan drain plugs (a recent Amazon ad targeted to me) is not as bad as being snared in a leg trap and turned into rabbit stew. We have made a deal with the devil, but the devil is going easy on us, as these things go.
Trading one value for another is a normal part of human life. But this business with on-line personal data is a new situation, a new trade-off. We’re still trying to evaluate it. Are we making the right choices? Is the value we receive greater than the value we give up?
Are we being proper rabbits?
I am delighted to announce that HALF-WITCH has been selected by the Junior Library Guild. The Guild supplies libraries with the best books for young people. It’s an honor for HALF-WITCH to be selected.